Phantom of the Opera @ Liverpool Empire


First of all let me just say that Phantom of the Opera is big. I mean really, really BIG.

As well as being the longest running musical in Broadway history with over 10,000 performances, it’s also the second longest running West End musical. With music by Andrew “The Lord” Lloyd-Webber and lyrics by Charles Hart (additional lyrics by Richard Stilgoe, no less) it has won a whole raft of awards and accolades from the public, if not always the critics.

Phantom has been around since 1986 and I’m a huge lover of musicals, but this was my first time seeing it. I’ve popped my Phantom cherry, if you like.

So is it worth the humongous run? The praise lavished on it? Well to me it certainly was.  From the moment the enormous chandelier from the Opéra Populaire dropped dramatically over the audience and the magnificent orchestra (it sounded as though there were 90 of them!) started to play, I had tingles.

Telling the story of the mysterious Phantom and his love for the beautiful Christine Daaé, a singer at the Opéra Populaire, the show dazzles at every turn. From the stirring music and the sumptuous sets, which  beautifully echo the Empire’s setting, to the lavish costumes and brilliant performances from the cast, Phantom of the Opera ticks all the “great musical” boxes.

John-Owen-Jones-as_2018562cI can’t heap enough praise on Katie Hall (a former I’d Do Anything contestant) for her wonderful Christine, whom she played so wonderfully – at times torn and terrified, yet filled with compassion. And last, but certainly not least, we were treated to an incredible Phantom by John Owen-Jones when Earl Carpenter and his understudy, Richard Woodford were sadly taken poorly.  But what a treat for the audience to see the man who’s played the role longer than any other actor in the show’s history don the mask.

Hall and Owen-Jones have singing voices to die for; they were great leads and their voices went together perfectly. I’m sure Earl Carpenter can’t wait to get back to work to show off his acting chops in the role.

If you like your musicals with a big old score – stirring strings and crashing cymbals, big booming numbers and slow soft ones – this is for you.  It’s a testament to the show’s popularity that I was surrounded by grown men and women unashamedly and unselfconsciously belting out the songs with great gusto. This is a show that’s big, bold and lavish.  It’s also hugely entertaining. Get down there while you can.

Phantom of the Opera is on at the Liverpool Empire from now until 9th March. Check out the Empire’s website for tickets.

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