A feast of Bacon: Tate Until September 18
Love his art or loathe it; but the price it commands is phenomenal and for fans of Bacon, this is a worthy exposition to see. This acclaimed exhibition does however, shed some light on the techniques of this most mysterious and confounding of artists.
It’s a must for all budding artists in Liverpool.
‘Invisible Rooms’, the title Tate Liverpool give to the display, shows a stunning exhibition of the painters works with an extensive selection of sketches, many discovered on the floors and workstation of his South Kensington studio after his death in 1992.
This exhibition is a treasure trove of delight to meet the eyes, with sketches of boxers, wrestlers and crouching caged figures.
This is truly a working display of an artist which helps get you, to enter into the mind of Francis Bacon.
You see lists of his ideas hastily scrawled on bits of paper, covers of books, scraps of paper, all in almost illegible handwriting not unlike shopping lists, but these are the vital ingredients that give us today, a recipe for some of the greatest 20th century British figurative paintings we now know.
At first glance, these portraits look disturbing and vastly distorted but the artwork and compositions of distortion, take us beyond physical appearances and into a psychological interpretation.
Perhaps that’s why I and so many others are drawn into his world and to this exhibition that shows just how Bacon manipulated his source material, producing scenes most shocking and depraved but condensing the content, intensifying the figures and creating for them a new and unsettling platform.
Perhaps this is the mark of a genius and why so many are attracted to so much of his work.
The works make you want to look behind the canvas and interpret with your own feelings and emotions the truth that lies facing us in that portraiture which we stir wide eyed at for a few minutes. You are taken in. You are drawn into this exhibition like an addiction.
So many of the works on display give the impressions of cages around the central figures. ‘Study For A Portrait’ from 1949 gives the onlooker the idea of the Nuremberg trials, showing Nazi war criminals boxed behind glass. Emotion and high energy feelings at their highest seem to radiate from the works on display….. torture, violence, desperation, unhappiness, wretchedness all speak to the viewer as you try to unravel the mysteries and meanings behind the distortion the artist has created.
Did Bacon have a ‘heart of darkness’?
Take a trip to the Tate Liverpool and view ‘Invisible Rooms’, and see if you can unleash the answers to the stories hidden in the captured gaping mouths, silent screams of rage and grotesque distorted bodies on display in this wicked collection until September 18th.
Don’t miss viewing the popular, terrifying depiction of Velazquez’s ‘Portrait Of Pope Innocent X’, that’s if you can push to the front of the crowd of visitors who throng to see this subject sitting as if strapped to an electric chair, mouth wide open so that his scream is almost audible.
This is an extremely popular show with visitor tickets also permitting entry to Tate Liverpool’s exhibition of work by Austrian painter Maria Lassnig.